Gecko-Cam GENESIS G35 Large Format Lenses
he GENESIS G35 professional video and cinema lenses. Built for industry professionals, the G35 set is a masterpiece of design and calculation.covers image circle of 46,3 mm, High-end mechanics made in Germany, paired with a modern vintage look( CANON K35) is what brings great value to the Genesis G35 lens series.
Available focal lengths in Movie Mobile 126.96.36.199.50.85.135
TOKINA VISTA PRIME LENSES
igh resolution modern optics . Fast T1.5 lenses with sensor coverage well beyond full frame. Craft images with more control in challenging lighting conditions. Keep your subject right where you left it with our virtually zero breathing optical design. Precision and versatility for the future.
Available focal lengths in Movie Mobile 188.8.131.52.85.105
Scorpio Anamorphic Lenses T2
mall size and weight Covers super 35 31.14 mm de diameter. High optical perfomance with High resolution and contrast. Close focus similar to spherical lenses, without the “fat faces”.
Available focal lengths in Movie Mobile 184.108.40.206.100
ARRI/ZIESS Ultra Primes LDS 35mm T.1.9 lenses
RRI/ZIESS Ultra Primes LDS 35mm T.1.9 lenses have the widest focal range of any prime lens set available to cover every cinematic need. Ultra prime set includes up to 10 lenses between 16-135mm. The LDS ultra-prime has a built-in encoders and electronic PL mount (PL-LDS) for lens metadata to achieve a beater workflow.
ARRI/ZIESS Ultra Prime 10mm T2.1
RRI/ZIESS Ultra Prime 10mm T2.1 is a perfect match to a regular set of Ultra Primes, adding a super-wide angle option.
ARRI/ZIESS Ultra Prime 180mm T2.1
RRI/ZIESS Ultra Prime 180mm T2.1 is a perfect match to a regular set of Ultra Primes, adding a telephoto option.
Tokina 100mm Macro T2.9 Cine PL Mount
he newly designed Tokina Cinema AT-X 100mm T/2.9 macro is a true 35mm, full-frame, 1:1 macro close-up lens. Sporting a new look and design, the lens achieves maximum magnification at a working distance of 11.8 inches (0.3 meters). This allows enough space for lighting, the camera operator, and the subject to work comfortably.
Zeiss High speed T1.3
eiss High speed T1.3 set consists of five lens (18, 25, 35, 50, 85mm). The speed of the lenses make them a great choice for low light or night time shooting and are very light weight.
Zeiss compact prime 2 T1.5 super speed
eiss cp.2 super speed T1.5 set consists of five lens (18, 25, 35, 50, 85mm). only 35.50.85 is super speed t stop 1.5 The Compact Prime Super Speed lenses show less aberration which results in an overall better image quality. Images appear much sharper and show a much higher contrast. The CP.2 lenses cover a full-frame sensor format and are equipped with the interchangeable lens mount system for use with a variety of cameras.
The ARRI/ZIESS LDS Master Zoom 16.5 – 110 T2.6
he ARRI/ZIESS LDS Master Zoom 16.5 – 110 T2.6 Super 35 lens displaying very little breathing. The optical design reduces spherical aberration, keeps the image geometry free of distortions from infinity to CF, and provides superior damping of stray light and flare
ARRI/FUJINON ALURA Zoom 45-250mm T2.6
RRI/FUJINON ALURA Zoom 45-250mm T2.6 is a modern cine zooms combine the highest optical performance of ARRI and FUJINON with a small size and weight. Alura Zoom color characteristics, as well as their handling, is matched to existing ARRI’s prime lenses.
Cooke 25-250mm MKII T4
ooke 25-250mm MKII T4 offers the classic “Cooke look” in a medium sized body with an impressive range
Angenieux Optimo 28-76mm T2.6
ngenieux Optimo 28-76mm T2.6 lens is a pioneer in the field of lightweight cinema lenses. The standard range of the lens combined with small weight (4.2lbs) and its superior optical quality enable cinematographers to shoot innovative productions.
Angenieux Optimo 15-40 T2.6
ngenieux Optimo 15-40 T2.6 is designed for film cameras with an impressive contrast and color reproduction. The Optimo has a superior optics ideal for Steadicam work and the perfect complement to 28-76mm or other zoom lenses.
FUJINON 19-90mm T2.9 Cabrio
UJINON 19-90mm T2.9 Cabrio features a detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The cabrio also features a macro function, LDS (Lens Data System) and /i metadata compatible. This lens has the longest focal range available in a light weight zoom.
Zeiss 70-200mm T2.9 Compact Zoom CZ.2
eiss 70-200mm T2.9 Compact Zoom CZ.2 is a telephoto zoom lens that is optimized for motion picture production. The lens offers full-frame coverage with a weight of 6.2 lb, the 70-200mm is relatively compact and lightweight, which makes it ideal for handheld and Steadicam applications.
Carl Zeiss STD 12mm T2.1
arl Zeiss STD 12mm T2.1 has floating elements that keep the optical performanc up all the way to the close-focusing limit. Distortion is well controlled and so is breathing.
Carl Zeiss STD 14mm T2.1
arl Zeiss STD 14mm T2.1 has a floating element that keep the optical performanc up all the way to the close-focusing limit. Distortion is well controlled and so is breathing.
TIffen Proxar lens set
Iffen Proxar lens set are a secondary lenses (Proxar +1/2. +1, +2, +3) used to enable macro without requiring a specialised primary lens.
Veydra Mini prime lenses
true cinema design specifically for Mirrorless means a truly compact lens design for modern camera movement and flexibility on set. changeable lens mount between sony e and micro 3/4
Available focal lengths in Movie Mobile 220.127.116.11.85
Veydra Mini prime lenses
Veydra Mini prime lenses
Fujinon Mk 18-55 50-135
Series achieves high optical performance and low distortion with T2.9 speed across the entire zoom range. Super 35mm/APS-C sensor compatibility and E/fz (sony f5) Mount dedicated design have led to the MK Series’ advanced optical performance, ultra-compact and lightweight design, and excellent cost performance.
Canon EF mount zoom lenses
anon EF mount zoom lenses f/2.8 aperture zoom lens (17-55mm, 24-70mm, 70-200mm). Image Stabilizer lens groups shift to compensate for camera movement, ensuring clear, crisp images, even in dim light.